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c. 1445 – May 17, 1510. Italian painter.

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DOBSON, William
The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier about

ID: 64644

DOBSON, William The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier about
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DOBSON, William The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier about


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DOBSON, William

English Baroque Era Painter, ca.1611-1646 English painter. His father, William Dobson, was a gentleman of St Albans employed by Francis Bacon, Viscount Verulam, on the building and decoration at Verulam House and Gorhambury; he was also probably Master of the Alienation Office and a member of the Painter-Stainers' Company, but according to John Aubrey, 'he spending his estate luxuriously upon women, necessity forced his son William Dobson to be the most excellent painter  Related Paintings of DOBSON, William :. | Richard Lovelace dfgw | Abraham van der Doort | Portrat eines Marineoffiziers | Endymion Porter fgh | The Painter with Sir Charles Cottrell and Sir Balthasar Gerbier dfg |
Related Artists:
Michiel van Musscher
painted Self-portrait. in 1685
ROMANINO
Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559, Brescia).
Theo Van Rysselberghe
Belgian Pointillist Painter, 1862-1926 was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.






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